AccScience Publishing / BIJP / Volume 15 / Issue 1 / DOI: 10.29228/beytulhikme.78223
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RESEARCH ARTICLE

A Nietzschean View on The Problem of Artificial Intelligence Art

FEYRUZE CILIZ1
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1 Mersin Üniversitesi, İnsan ve Toplum Bilimleri Fakültesi, Felsefe Bölümü 33343, Mersin, Türkiye
BIJP 2025, 15(1), 119–136; https://doi.org/10.29228/beytulhikme.78223
Received: 6 September 2024 | Published online: 25 March 2025
© 2025 by the Authors. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

Today, products created with artificial intelligence seem to have brought a new and lively breath to the field of art. With artificial intelligence, products are produced in many fields of art such as film, video, graphics, painting, music and poetry. This innovation involves a number of philosophical problems as well as ethical and legal problems. Philosophically, when it comes to art, the work, the perpetrator of the work and the creation process of the work are the subject of examination. Well, what does products created by robots and the process in question mean philosophically? Can artificial intelligence be the creator of works that enrich, affirm and give meaning to human life? It is possible to seek the answer to such questions in the thoughts of Nietzsche, who sees art as an indispensable element for human life. In this article, Nietzsche's thoughts on the understanding of art that affirms life, justifies existence, and allows for a fuller, stronger relationship with life will be associated with the questions of whether artificial intelligence is an artist and whether the products it produces are works of art.

Keywords
Nietzsche
artificial intelligence
artist
artwork
life.
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Beytulhikme An International Journal of Philosophy, Print ISSN: 1303-8303, Published by AccScience Publishing