AccScience Publishing / BIJP / Volume 14 / Issue 2 / DOI: 10.29228/beytulhikme.75329
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RESEARCH ARTICLE

The Compass of Beauty: A Search for the Middle 

Ahmet Çelik1
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1 Millî Eğitim Bakanlığı Türkiye, Millî Eğitim Bakanlığı Türkiye
BIJP 2024, 14(2), 525–559; https://doi.org/10.29228/beytulhikme.75329
Received: 18 February 2024 | Published online: 3 April 2024
© 2024 by the Authors. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

At the very center of ontology lies a part-whole puzzle traversed by the problem of connection, transcendence, and transition. Materialism, in its traditional form of determinism and emergence, has left ontology alone with this metaphysical void by failing to express the simultaneous internal and external existences of things and their interactions, that is, the continuity of existence. However, when existence is understood based on beauty, the kaleidoscopic continuity of existence suddenly becomes visible. Beauty, by making transcendence and mentality the inherent quality of existence, reconfigures all things as a continuous aesthetic flow built on and oriented towards beauty, while ontology and aesthetics become mirror images of each other: “beauty allows parts to be visible and accessible for other wholes without isolating them from their relationships with neighboring parts.” Here, Lars Spuybroek, reading names like Plato, Kant, and Burke, as well as Alfred North Whitehead, Charles Hartshorne, and William Hogarth together, presents his own diagram that reveals the aesthetic continuity of the arena of existence as an alternative to Heidegger’s four-layered static Being.

Keywords
Beauty
aesthetics
aesthetic diagram
ontology.
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Beytulhikme An International Journal of Philosophy, Print ISSN: 1303-8303, Published by AccScience Publishing