AccScience Publishing / BIJP / Volume 12 / Issue 1 / DOI: 10.18491/beytulhikme.1851
Cite this article
4
Views
Related Info Links
More by Authors Links
Journal Browser
Volume | Year
Issue
Search
News and Announcements
View All
RESEARCH ARTICLE

The ‘Magic Mirror’ Metaphor as a Philosophical Concept of Holistic Reality: Lesia Ukrainka’s Forest Song and Patrick Süskind’s The Story of Mr Sommer 

Richard Gorban1
Show Less
1 Lviv National Academy of Arts, Depart. of Art History and Social Sciences and Humanities 78601, Lyviv, Ukraine
BIJP 2022, 12(1), 297–332; https://doi.org/10.18491/beytulhikme.1851
Received: 24 September 2021 | Published online: 3 February 2022
© 2022 by the Authors. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

Based on the comparative method, the article reveals the philosophical meaning of one of the most outstanding works7- of Lesia Ukrainka, the classic author of Ukrainian literature, whose 150th anniversary is celebrated by the world literary community in 2021. This is an in-depth study of the philosophical concept of interdependence of the integrity of the world and man, embodied in the Forest Song by Lesia Ukrainka and The Story of Mr Sommer by Süskind, in consequence of the “magic mirror” metaphor, attributable to oxymoronic poetics of magic realism. The archetypal potential of the mirror image and the laws of mirror symmetry made it possible to express the actual ideas of personalism and existentialism in artistic form and to reveal the existential experience of a person in opposition to the destructive tendencies of the anthropological crisis. A comparative historical analysis of both works revealed that the writers showed the main problem of the 20th century in different socio-cultural material, namely, the loss of authenticity by the person, which turns a man’s life into a psychological hell, and him himself into a beast or a mechanical doll.

Keywords
Magic realism
archetype
person
authenticity
personalism
existential truth
mercy.
References
  1. Abysova, M., & Shorina, T. (2019). Paraesthetic Transformations of Modern ‘Art Practices’ (taking an art specimen as an example). In Philosophical Horizons, 42, 223-226.
  2. Andreev, L., ed. (2000). Foreign Literature of the 20th Century. Moscow: Academy.
  3. Asayesh, M., & Arargüҫ, M. (2017). Magical Realism and its European Essence. Journal of History Culture and Art Research, 6(2), 25-35.
  4. Bareis, A. (2020). Daniel Kehlmann und die Gegenwartsliteratur: Dialogische Poetik, Werkpolitik und Populäres Schreiben. In Daniel Kehlmann und die Gegenwartsliteratur: Dialogische Poetik, Werkpolitik und Populäres Schreiben, (pp. 13-32). Berlin/Boston: Walter de Gruyter GmbH.
  5. Bareis, A. (2009). Was ist wahr in der Fiktion? Zum Prinzip der Genrekonvention und die Unzuverlässigkeit des Erzählers in Patrick Süskinds “Die Geschichte von Herrn Sommer”. Scientia Poetica, 13, 230-245.
  6. Bartnik, Cz. (1998). Teologia społeczno-polityczna. Lublin: Agencja Wschodnia.
  7. Berdyaev, N. (1995). Slavery and Freedom. In Realm of the Spirit, and the Kingdom of Caesar (pp. 4-162). Moscow: Respublika.
  8. Berdyaev, N. (2003a). On the Purpose of Man. In The Experience of Paradoxical Ethics (pp. 25-422). Kharkov: Folio.
  9. Berdyaev, N. (2003b). The Existential Dialectics of the Divine and the Human. In The Dialectics of the Divine and the Human (pp. 341-501). Kharkov: Folio.
  10. Berdyaev, N. (2003c). The Fate of Man in the Modern World. In Spirit and Reality (pp. 159-226). Kharkov: Folio.
  11. Bierlein, J. (1997). Parallel Myths. Moscow: KRON-PRESS.
  12. Bystrytskyi, Y. (2018) Existential Truth and Post-truth. Philosophical Thought, 5, 54-71.
  13. Campbell, J. (2002).The Mythic Image. Moscow: АSТ.
  14. Cortazar, J. (1999). The Way to Look. Cortazar J. Timeless. St. Petersburg: Amfora.
  15. DeuPetit, M. (2003). Great Artists, their Lives, Inspiration and Creativity. Part 22: Caspar David Friedrich. Kiev: Iglmoss Ukraine.
  16. Eliade, M. (2001). The Sacred and the Profane. In Mephistopheles and Androgyne (pp. 5-116). Kyiv: Osnovy.
  17. Fleischer, M. (2005). Patrick Süskinds Die Taube und Die Geschichte von Herrn Sommer – innere Zwänge, Selbstabgrenzung und Objektivierung als Konstituenten von Außenseiteridentitäten. Waterloo, Ontario, Canada: University of Waterloo, 2005.
  18. Fromm, E. (2006). Escape from Freedom. Moscow: АST.
  19. Fromm, E. (2010). To Have or to Be? Kyiv: Ukrainskyi Pysmennyk.
  20. Golosovker, Y. (1987). The Logic of Myth. Moscow: Nauka.
  21. Gorban, R. (2014). Eschatological Perspective of History in the Interpretation of Mykola Berdyaev. Ivano-Frankivsk: Nova Zoria.
  22. Gorban, R. (2019). The Religion of Mercy and the Religion of Purchase and Sale – Christianity in Interpretations of Lesia Ukrainka. In Lviv National University Journal. Series of philosophical and politological studies, 23, 19-29.
  23. Gugnin, A. (1998). Magic Realism in the Context of 20th Century Literature and Art: The Phenomenon and Some Ways of Understanding it. Moscow: Scientific Center for Slavic-Germanic Research ISS RAS.
  24. Hoffmann, E. T. A. (1963). Klein Zaches genannt Zinnober. In Poetische Werke in sechs Bänden, Band 5. Berlin: Aufbau Verlag.
  25. Homer (2016). The Odyssey: Translation by Antony Verity. Oxford: Oxford University Press.
  26. Jean-Paul (1981). Preparatory School for Aesthetics. Moscow: Iskusstvo.
  27. Jung, C. (1996). Problems of the Soul of our Time. Moscow: Progress.
  28. Kobylianska, O. (2013). The Blind Man. In Kobylianska, O. Collection of Works: In 10 Volumes. Vol. 1: Novels, short stories, poetry in prose 1885–1900 (pp. 344-345). Chernivtsi: Bukrek.
  29. Krymskyi, S. (2004). Ukrainian Culture and its Basic Archetypes. Collegium, 16, 185-206.
  30. Nossak, H. (1983). Klonz. In Selected writings (pp. 532-554). Moscow: Raduga.
  31. Ortega y Gasset, J. (1994). The Original Deception of a Rogue Novel. In Studies on Spain (pp. 269-273). Kiev: Novyi Krug.
  32. Pecharskyi, А. (2010). Lesia Ukrainka and Contemporaneity: In the Dialogic Mirror of the Psychological Etude “The Blind Man”. In Lesia Ukrainka and Contemporaneity (to the 140th anniversary of her birth). Collection of scientific works. (pp. 53-63). Lutsk: Lesia Ukrainka Volyn National University.
  33. Potebnia, A. (1989). From Notes on the Theory of Literature. In Word and Myth (pp. 236-282). Moscow: Pravda.
  34. Shamsayi, M. (2017). Magic Realism and Shahnameh of Ferdowsi. Journal of History Culture and Art Research, 6 (3), 1288-1298.
  35. Shatska, B. (2011). Past – Memory – Myth. Chernivtsi: Knyhy-ХХІ.
  36. Shynkaruk, V., ed. (2002). Philosophical Encyclopaedic Dictionary. Kyiv: Abrys.
  37. Skovoroda, H. (1994). A Book on Reading of the Holy Scripts, Called Lot’s Wife. In Skovoroda H. Works: In 2 Volumes. Vol. 2: Treatises. Dialogues. Parables. Translations. Letters (pp. 34-60). Kyiv: Oberehy.
  38. Süskind, P. (2003). The story of Mr Sommer. Translated by Michael Hofmann (London: Bloomsbury.
  39. Sütcü, Ö. Y. (2020). Edebiyat, Kurmaca ve Gerçeklik. Beytulhikme: An International Journal of Philosophy, 10 (3), 871-889.
  40. Tovarniki, F. (1992). Excerpt from a Conversation with Frederick Tovarniki. In Eugene Ionesco, Antidotes (pp. 148-160). Moscow: Progress.
  41. Ukrainka, L. (1950). Forest Song: Fairy Drama in Three Acts. In Spirit of Flame. A Collection of the Works of Lesia Ukrainka. Translated Percival Cundy (pp. 169-260). New York: Bookman Associates.
  42. Ukrainka, L. (2021a). Clean, Even Stretch of Sea… In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol. 6: Literary prose. (p. 409). Lutsk: Lesia Ukrainka Volyn National University.
  43. Ukrainka, L. (2021b). Ein Brief ins Weite. In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol. 6: Literary prose. (pp. 196-202). Lutsk: Lesia Ukrainka Volyn National University.
  44. Ukrainka, L. (2021c). Over the Sea. In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol. 6: Literary prose. (pp. 203-237). Lutsk: Lesia Ukrainka Volyn National University.
  45. Ukrainka, L. (2021d). The Blind Man: Essay-pendant. In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol. 6: Literary prose. (pp. 242-247). Lutsk: Lesia Ukrainka Volyn National University.
  46. Ukrainka, L. (2021e). To O. P. Kosach (mother). 21.І.1911. In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol14: Letters. 1907-1913 (pp. 226-227). Lutsk: Lesia Ukrainka Volyn National University.
  47. Ukrainka, L. (2021f). To O. P. Kosach (sister). 25.IX.1909. In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol. 14: Letters. 1907-1913 (pp. 173-175). Lutsk: Lesia Ukrainka Volyn National University.
  48. Ukrainka, L. (2021g). To O. Yu. Kobylianska. 20.VI.1902. In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol. 13: Letters. 1902-1906 (pp. 127-129). Lutsk: Lesia Ukrainka Volyn National University.
  49. Ukrainka, L. (2021h). Utopia in Fiction. In Lesia Ukrainka. Complete academic collection of works: In 14 Volumes. Vol. 7: Literary-critical and journalistic articles (pp. 263-310). Lutsk: Lesia Ukrainka Volyn National University.
  50. Visych, O. (2007). Eponymously-named Essays by Lesia Ukrainka and Olha Kobylianska “The Blind Man”: Dialogue of texts. In Lesia Ukrainka and Modernity: Collection of scientific works. T. 4. Book. 1 (pp. 384-389). Lutsk: Vezha.
  51. Zavadska, V., & Muzychenko, Y. (2002). 100 Most Famous Images of Ukrainian Mythology. Kyiv: Orfei.
Share
Back to top
Beytulhikme An International Journal of Philosophy, Print ISSN: 1303-8303, Published by AccScience Publishing