AccScience Publishing / BIJP / Volume 11 / Issue 3 / DOI: 10.18491/beytulhikme.1770
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RESEARCH ARTICLE

Heidegger’s Antigone: The Ethos of Poetic Existence

Onur Karamercan1
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1 Independent Reseracher of Philosophy 92300, Levallois-Perret , France
BIJP 2021, 11(3), 1063–1077; https://doi.org/10.18491/beytulhikme.1770
Received: 5 April 2021 | Published online: 14 August 2021
© 2021 by the Authors. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

In this article, I elucidate Martin Heidegger’s interpretation of Sophocles’ tragedy Antigone from a topological point of view by focusing on the place-character of Antigone’s poetic ethos. Antigone’s decision to defy Creon’s order and bury her brother Polynices is discussed as a movement that underpins her poetic disposition as a demigod. Antigone’s situatedness between gods and humans is identified as the place of poetic dwelling, and the significance of Antigone’s relation to the polis is explained. The main argument of the article is two-fold: 1) When we read Antigone focusing on the notion of dwelling, we can better make sense how Heidegger’s engagement with the question of finitude closes the envisioned gap between ontology and ethics. 2) The idea of poetic dwelling is a confrontation with spatio-temporal limits of human existence, and requires a more holistic way of thinking about the place of humans in the world, thinking beyond being-action dichotomy.

Keywords
Martin Heidegger
Antigone
topology
ancient Greek tragedy
poetic dwelling
place.
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Beytulhikme An International Journal of Philosophy, Print ISSN: 1303-8303, Published by AccScience Publishing