AccScience Publishing / BIJP / Volume 11 / Issue 3 / DOI: 10.18491/beytulhikme.1717
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RESEARCH ARTICLE

Heidegger's Conception of Poetic Dwelling through Appropriation of History

Başak Keki1
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1 MEF Üniversitesi, İİSBF, Siyaset Bilimi ve Uluslararasi İlişkiler Bölümü 34396, İstanbul , Turkey
BIJP 2021, 11(3), 1045–1061; https://doi.org/10.18491/beytulhikme.1717
Received: 23 February 2021 | Published online: 1 August 2021
© 2021 by the Authors. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract

This paper explores the significance of poetic dwelling in Martin Heidegger’s later thought in terms of its relevance to the essence of truth and his notion of the fourfold as world’s disclosure. Heidegger emphasizes that the poetic provides us with a better understanding of our modern era, which is notable by the oblivion of Being. He regards history as a homecoming, which manifests itself when we remember that we are in a dialogue with the destining of Being. After clarifying the relationship between poetic dwelling and appropriation of history whilst referring to Friedrich Hölderlin’s hymn, “The Ister” (“Der Ister”), this paper argues that according to Heidegger, the precondition of participating in history is learning to listen and respond to the address of Being; which is only possible via the poetic which enables us to feel home and genuinely dwell on this earth.

Keywords
Later Heidegger
poetic dwelling
fourfold
Hölderlin
appropriation of Being.
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Beytulhikme An International Journal of Philosophy, Print ISSN: 1303-8303, Published by AccScience Publishing